A part of me was kind of dreading the workload from an extra week’s worth of workshops, though in the same way I was pretty excited to have Justin Torres critique my work and provide some insight into his generative process, as well as his experience of the writing circuit immediately post-MFA.
I needn’t have worried at all. I think the best thing about having visiting writers come to a program is their insight into these aforementioned processes. It was especially cool as Justin made the workshop relaxed, imploring us on the first day to send out predominantly positive feedback
This was an approach I stuck to throughout the week, and it allowed me to gain better insight into genres I am not so well versed in. The work Justin assigned us was also worth reading, so too was the supplementary knowledge he gave us of each piece and its writer.
One thing that Justin repeated a number of times throughout the week was that, especially in short story writing, the scale of the piece is its biggest strength. In using a simple premise, building on it in subtle though varying ways, you can manipulate the scale of your piece, whatever the genre, so that these subtleties become the fundamentals of the piece.
For example, one piece of non-fiction we looked at seemed to be meandering somewhat in terms of narrative. Though when we delved into it in workshop, Justin pointed out these certain moments of subtle nuance, where in fact the piece was building and building in different ways, manipulating its own scale. In doing so it landed at an ending that was unexpected yet earned.
And that was how the workshop, and the writing I produced for it, seemed to me. Due to our working with multiple genres, I produced a piece of non-fiction that drew on the subtle differences between the UK and the US, my life in both countries, and it was based around what Justin referred to as a kind of “lyrical anthropology”.
While the week went by quickly, and became generative and eye-opening for me, it was also great just to hang out with Justin in our workshop group, as we all socialized together; it was while doing so that he gave us all some pretty cool insights into how his career has been formed post MFA.
So it seemed to me that many of the strengths of good writing go hand-in-hand with the same requirements we have as MFAers, but also really as people of the world: subtlety + nuance + an understanding of our own anthropology begins to denote meaning in its many forms.
Originally from Scotland, Adam Sword is an MFA student at Florida Atlantic University, with a concentration in Fiction.