I like long sentences. Growing up, engineering these lengthy
grammatical feats was like alchemy to me; again and again I transformed words
into corridors, labyrinths, twisting pathways that went on and on and led
readers through my convoluted ink-dreams. It was impressive, I thought, and a
bit magical, to disorient the audience, to keep them on their toes with twists
and sharp-edged, polysyllabic declarations of my genius. As a student of words,
I believed every reader was like me, and would hang in the grip of every
passing letter, carefully picking their way through each sentence’s turns, all
the while remarking to themselves what a rush it was to come across an author
who imbued so much life and wisdom into her work. I wanted to show readers how
smart I was, how I could make language bow to me and give my writing endless
beauty in its sentences with curling tails and never-ending clauses.
When I started
studying writing for real, I came across a piece of advice from one of my
favorite fiction writers, the wonderful Kurt Vonnegut. In a paper on “How to
Write with Style” Vonnegut implores his readers to “keep it simple” when it
comes to the way in which they choose to present information - particularly
that which is exceedingly profound. In his example, Vonnegut cites William Shakespeare as well as James Joyce, both of
whom he admits had the ability to “put together a sentence as intricate and as
glittering as a necklace for Cleopatra,” but, as he highlights, chose not to do
so in instances of profound genius. Conversely, he asserts, these expert
writers in fact chose to present some of their most profound ideas (his go-to
example is Hamlet’s famous, “To be or not to be?” as well as the opening
passage of the Judeo-Christian Bible) in relatively simple language. In his
article, Vonnegut asserts that simple can be beautiful, as countless canonical
authors have demonstrated, time and time again. If they can make the simple
work, why can’t we? This is something I ask myself and attempt to employ often
in my own work as a writer.
Bio: Kira Geiger is a third year MFA student with a
concentration in Creative Nonfiction. Her work has been previously featured in NoiseMedium,
FishFood Magazine, and tiny poetry: macropoetics.
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