One of my favorite movies of the year was Whiplash. Andrew Neiman (Miles Teller) is an aspiring
drummer for Terence Fletcher’s (J.K. Simmons) studio jazz band at the Shaffer
Conservatory, the best music school in the United States. The overarching message of the film is that
no matter what, an artist is an artist is an artist. In this case, Neiman is determined to make
his dream of becoming a musician come true and prove wrong everyone who doubts
him, including friends, family, and his conductor, Fletcher. Neiman is so resolute that even when involved
in a horrific car accident minutes before call time, he flees the scene
(not unscathed, as he is covered in blood from head to toe) and not only plays,
but ruins the show. This does not deter
him from his dream though, as he eventually goes on to play again and wins over
the undying respect of his leader, with one final shot focusing on Fletcher’s
smiling eyes. Brilliant. Bravo.
Loved it.
Last Thursday I was on my way to day four of the Jo Ann
Beard workshop. I had some time to spare
and decided to stop for coffee and a donut at Starbucks (the old fashioned glazed
donut) as Jo Ann had read a piece that had donuts in it and I couldn’t get my
mind off the sweet treats. They were
doing some construction over by the bank near the Starbucks and I couldn’t see
whether or not I had room to get back on Federal Highway, or if I would have to
drive around to another exit. As I kept
my eyes on the exit of the plaza, I failed to see the bright blue Prius behind
me and backed into him with an audible crunch.
I pulled back into my spot and examined my car, still unaware that I hit another vehicle, checked my own, and saw a tiny smear of blue
paint on the back of my black bumper.
“Are you okay!?” I called out, spinning around to see a man
in orange shorts walking out of his car and buttoning up his shirt. He had a fluffy puff of white hair around his
head, glasses, and some type of casual beach loafers. I instantly felt horrible. I had ruined this man’s day, ruined my own,
and my workshop was starting in twenty minutes.
Neiman takes a bus to the concert for his big show, and it breaks down. He runs to a rental car
office only fifteen minutes from the venue.
Rushing, he forgets his drum sticks at the rental car office, leaving
them on a chair in plain sight. Neiman
realizes this and must get back in his car, retrieve the sticks, and hurry to
his show. Fletcher waits but has an
understudy prepped and ready to go on stage.
Minutes fly by and Neiman gets back in the car and books it to the
venue. SMASH. A truck collides with his vehicle. He is totally f’ed. However, he runs out of his car, bloodied and
bruised but with his sticks, heads to the concert and insists on playing. Fletcher kicks him out due to his failure to
perform and the two brawl it out.
My guy was a lot nicer.
He shook my hand, understood that I had a life changing workshop to attend, and let me go, as I promised my
mom would come as soon as possible and handle all the insurance
information. Luckily my mom was off work
that day and was able to come help, for that is a godsend, but I still felt awful
and began crying hysterically on the way over to school. I had texted a few people that I was in an
accident and that I was running late for class, but that I was okay, just
really upset. When I got out of my car
with four minutes to spare until workshop time, I checked my phone and saw a
text from my best friend. He said, “Your
day is like the movie Whiplash. You get into an accident and you crawl out of
the car and you run to your workshop!
Blood on your books, you’re still moving forward. Still doing what you were born to do. J.K. Simmons tries to take you down during
your reading but no! You keep moving
forward. Keep pressing on. All of a sudden a close up on J.K. Simmon’s
eyes and you can see he’s smiling.
Smiling because he has done it.
He has found that great writer he had been searching for his entire
career. Brittany Ackerman.”
Fletcher had taunted and tormented the members of his jazz
studio and was unrelenting about finding that “great one,” a musician that could make his work worthwhile,
all the years spent training one after another, all the name-calling and
physical assault. While Jo Ann Beard did
not abuse us or say anything negative all week, Fletcher’s character represents
for me anyone who ever has said something negative about my work ethic, my
place in the program, my writing. Neiman
continued on despite what anyone said about him, and although Fletcher was a
bastard, he did prove his point that “the great ones” will not stop and will
always continue to move forward and press on.
Jo Ann Beard confesses it takes her an unusual amount of
time to finish a piece of writing. She
also tells us that it would be “easier for her to dig up the sidewalk with a
spoon than to write” because it is truly her opus. But if I wish to call myself a writer, the
real deal, then an impenetrable impetus will propel me forward from all of
life’s unfortunate occurrences and I will write write write.
It often feels as if Fletcher is standing over my writing
desk whispering, “What are you doing, man?” (just like in the movie!) in a way
that makes me question myself. But in
reality, Jo Ann Beard is sitting beside me, assuring me that “Your piece was magnificent! How beautiful!” No matter the positive or negative feedback
we receive from others or give to ourselves, the only way we will be successful
writers is if we continue to write.
Yelling “I’ll cue you in!” to Fletcher, Neiman demands to play on stage and commands his position as a drummer. It is in this moment that he becomes one of the greats, student transforming into teacher, roles reversed. Fletcher watches in awe as Neiman succeeds, and that is what I wish to have for myself- the moment where I amaze and surprise my greatest critic, myself, because I am able to show up and write the damn thing.
Yelling “I’ll cue you in!” to Fletcher, Neiman demands to play on stage and commands his position as a drummer. It is in this moment that he becomes one of the greats, student transforming into teacher, roles reversed. Fletcher watches in awe as Neiman succeeds, and that is what I wish to have for myself- the moment where I amaze and surprise my greatest critic, myself, because I am able to show up and write the damn thing.
Brittany Ackerman is a third year MFA candidate for
nonfiction. If you can't find her
frantically typing at Spot Coffee in an ironic t-shirt and an unamused scowl,
she is probably at Disney World realizing that it actually IS a "small
world after all..."
No comments:
Post a Comment